Digital Mixers

Allen & Heath SQ-5 Digital Mixer - Open Box (Perfect Condition)

by Allen & Heath
Save 7%
$2,799.00
$2,599.00

Allen & Heath SQ-5 Digital Mixer - Open Box (Perfect Condition)

48 channel / 36 bus digital mixer

Powered by Allen & Heath's revolutionary XCVIhttps://youtu.be/nC4Ac1k3Owk 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing* takes the strain in multi-mic environments. SQ-5 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.

Features

  • 96kHz FPGA processing
  • 48 Input Channels
  • DEEP Processing ready
  • 17 Faders / 6 Layers
  • 12 Stereo mixes + LR
  • 3 Stereo Matrix
  • 8 Stereo FX Engines + dedicated returns
  • 7” capacitive touchscreen
  • SLink port for remote audio / expansion
  • 64ch I/O Port for audio networking
  • 32×32 USB audio interface
  • SQ-Drive direct recording to USB
  • AES output
  • Chromatic channel metering
  • Integrated LED illumination
  • Dedicated physical controls
  • 8 Assignable SoftKeys
  • Channel LCD displays
  • 19" rack mountable

https://youtu.be/nC4Ac1k3Owk

 

96kHz XCVI Core

SQ is a future-proofed, next-generation console, powered by Allen & Heath’s 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of <0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel / mix counts and ample FX / processing.

DEEP processing ready

SQ's DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer's inputs and mix channels, all without adding system latency or setup hassles.

 

The Ultimate IEM Mixer

With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ's airline-friendly compactness and rugged build quality mean there's no reason to gamble on house monitor consoles again.

 

Expandable up to 48 mics

SQ-5 has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix and match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.

Dante, Waves and more

SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart's content. It's compatible with leading audio networking standards too add an audio networking card such as Dante or Waves to SQ's I/O port and you're ready to integrate with installed systems, provide a digital FoH / Monitor split and more.

Flexible multitrack recording

The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.

Also provided is a built-in 32 x 32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.

 

Advanced AMM*

SQ's advanced automatic mic mixer (AMM) features make it a natural choice for mixing conferences, panel talks and TV shows. It's fully integrated in the mixer too, with no extra latency, so you don't need to route the audio to an internal DSP rack or an external plugin system.

 

Designed for the pro

We know that the live environment can be tough on gear and“ that's why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.

The Mixing Experience

With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ's dashboard is centred around a high-res 7 and capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.

RackExtra FX

Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don't need to waste input channels.

 

ME Personal Mixing System

SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer's SLink port, or from a connected remote expander.

 

Shipping

ALLEN & HEATH PRODUCTS CAN BE SHIPPED ONLY TO BUSINESS ADDRESSES (Your Workplace, School, Church or other commercial addresses). No Residential addresses. Please specify what the shipping address is where you would like this item shipped.

  • Most items are shipped out within 2 business day after cleared payment
  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available
Call or Email For (LOWER) D.O'B. Sound Pro Price

A Complete DiGiCo Live Package

This DiGiCo live package gives you the tools you need to deliver a jaw-dropping performance. Everything is centered around an S21 digital console. This incredible mixer is loaded with powerful processing, professional features, and expandable I/O. A D-Rack stagebox adds 32 channels to your rig and makes getting audio to and from your S21 a breeze. A DMI-MADI-C expansion card gives you even more connectivity, with an additional 64 channels of MADI. Beyond that, this package includes a 75-meter Cat 5e cable. As a complete solution, this stage-ready system is built to last.

S21 MAIN FEATURES

  • 48 Flexi Input Channels
  • 16 Flexi Aux / Sub-Group Busses
  • LR Master Bus
  • 10 x 8 Full Processing Matrix
  • 2 Solo
  • 4 (To Follow) Dynamic Equalizers
  • 4 Assignable DiGiTuBes
  • 4 Assignable Multiband Compressors
  • 8 Digital FX
  • 16 Assignable Graphic Equalizers
  • Optional Waves Integration
  • 96kHz Sample Rate
  • N/A Optics

https://youtu.be/wjHpBVfIumA

S21 : Overview

Since it's inception in 2002, DiGiCo has always tried to innovate and push technology to deliver more in terms of flexibility and audio quality. There are limitless highlights, but two immediately come to mind; DiGiCo was the first console manufacturer to use TFT touch screen technology, and then went on to pioneer Stealth Digital Processing's FPGA technology to replace DSP as the main audio processor. Stealth Digital Processing has been instrumental in the SD Series range, where, in a recent independent survey, DiGiCo played a pivotal role in eight of the top ten international grossing tours of 2014; evidence enough that when it comes to live sound consoles, DiGiCo pioneers the way. ‘Cutting edge' means leading the world against the norm by demonstrating what can be possible with new unharnessed technology. That's exactly what the vision of FPGA and Stealth Digital Processing promised and the thousands of users today will confirm the reality. The flexibility of being able to reprogram devices from switch on to taking advantage of new compiling tools has allowed the SD range functionality to expand beyond expectation.

Using SD9 as our reference example, those investing at the time of launch of this ground breaking product have seen their console evolve into something more comprehensive and powerful, ie: Channels - at launch 40 Flexi channels, today 48 flexi channels (20 % more). Busses - at launch 16 flexi busses, today 24 flexi busses (50 % more). Output Matrix - at launch 8 In / 8 Out, today 12 In / 8 Out. On board FX - at launch 4 FX, today 8 FX. Dynamic EQ - at launch 4 DYN EQ, today 8 DYN EQ

No other console has evolved in terms of core processing to this level, and to take it further the complete sample rate shifted from 48kHz to 96kHz. This sample rate increase, in any ordinary console, would mean a reduction in audio processing. This is not the case with Stealth Digital Processing. When SD9 switched to 96kHz in 2012, there was no reduction in audio processing. All these updates were provided to existing owners at no additional cost, allowing them to make an exceptional return on their investment.

DiGiCo's belief in audio quality and road worthy mechanical design has limited their ability to release an affordable introductory product. These values have required the same pioneering approach to design, not to follow the trend but to deliver the flagship for a price point - and change expectations. DiGiCo's S21 does exactly that. By using new, lower cost FPGA components programmed with the same audio algorithms, and combined with a new form of control processor, DiGiCo is able to deliver the S21 with the fundamental technological values at it's core. Running in harmony with the FPGA core is a new ARM QuadCore RISC processor. Delivering faster processing with lower power consumption, this efficient tool, combined with the audio core, has allowed the development of a cost effective console worthy of carrying the DiGiCo brand to existing and new owners and users.

How to make the step
To date, it has been the Tiger SHARC controlling the FPGA, but integrating these three technologies, along with networking capabilities, was a brand new challenge. Using the high power QuadCore SoC, associated with high bandwidth memory, S21 connects to a low power 484-ball array FPGA which in turn connects to fourth generation control SHARC DSP, capable of not only controlling the FPGA, but offering the potential for additional processing in the future. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface.

Two Touch Screens
Touch screens are now part of our daily lives, but if you go back to our digital beginnings, DiGiCo incorporated them in designs as long ago as 1997. Continuing their integration, with the advantages of speed of control and user feedback, meant that S21 had to bend the rules again. We utilised the latest P-CAP multi-touch screens for clear visual feedback and gesture control, but also did not limit the user to a single screen - by providing multiple multi-touch screens!


The compact dual screen design of S21 provides 10 channel strips per screen allowing the operator instant feedback and control on 20 simultaneous channels. This amount of instantaneous feedback offers total reassurance when mixing large shows, but the newly designed drag, swipe and drop channel layout system makes it simple for operators to move channels and busses across the surface to design their own custom fader layouts.


Whatever function you are using, there is an interactive meter where you would expect it, and helpful colour coding so you know which section you're looking at, be it channel, aux, or group.


Visual feedback is all reinforced with the HTL functionality of the encoder rings, and anything not in use is automatically greyed out on the console so operator's attention is drawn to the right controls.


The beauty of having two screens not only gives you more channels to view at any one time, but it allows you to utilise one as a setup or master screen, while still operating with the other. You are always looking in the same location, whatever function you have highlighted.


Touch the EQ screen, and you can choose to pinch, touch and drag your curves on the touch screen, or for a more tactile experience, use the rotary encoders to fine-tune your frequencies, then press to change function or switch on/off. It's the same philosophy for all other processing functions within the console.
The new look screen designs are all developed under the flat designs philosophy, to aid the user learning curve and take away distraction from an operator. These new designs will still be familiar to existing DiGiCo users, but allow new operators to feel at home and ready to take advantage of the wealth of integrated processing. 


Channel Bank Layout: as with all DiGiCo products, you can alter where the banks are located, and mix and match any channel, aux, group, control group, or matrix within a bank, with the ease of drag and drop, at the touch of a screen.

Interfacing
S21 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. All bases are covered.

Construction
As an audio engineer, when you first stand in front of an S21, it looks and feels remarkably inviting. You want to touch and control the audio. This level of connection with the audio sources and their manipulation is something the world's leading audio engineers experience when they harness the powerful SD7. From the aerospace graded aluminium extrusion, the durable polycarbonate overlays, the RGB LED Hidden Til Lit technology coupled with touch sensitive faders / encoders and integrated LED light bar, you know it's a DiGiCo before you turn the PA on. The S21 redefines industry expectations at its price point.

Options

The following options are available:

Interfacing
S21 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. All bases are covered.
The following modules are available. 

General Specifications

  • 46 busses: 16 x flexi-busses Mono/Stereo (equivalent of 32 DSP busses), Stereo Master (2), Solo busses (2 stereo, 4 total), and 10 x 8 Matrix (8)
  • 10 x Control Groups
  • 1 x Compressor per channel and buss
  • 1 x Gate per channel and buss (switchable to ducker, or compressor with side chain access)
  • 16 x assignable 32 band Graphic EQs
  • 8 x FX engines (reverbs, delays, w/modulation and enhancer)
  • 4 x assignable DiGiTuBes
  • 4 x assignable Multiband Comps
  • User definable Macros
  • An extremely high power headphone amplifier with 1/4 inch and mini jack socket
  • 96kHz as standard
  • 24 mic line inputs
  • 12 analogue outs
  • 2 AES I/O (mono)
  • Word Clock I/O
  • 1 GPI and 1 GPO
  • DVI out (for an external monitor)
  • 2 DMI Card slots (up to 64 I/O per slot)
  • 2 Ethernet connections for Networking
  • 2 x 24 segment master/solo meters
  • Touch sensitive rotaries with integrated switch & HTL
  • 2 x multi-touch screens
  • 21 x touch sensitive moving faders
  • 4 x layers of banks of 10 faders
  • Customisable bank and channel layout
  • Snapshots
  • Integrated USB2 Audio I/O interface for recording and playback of up to 48 channels 40 x Input flex-channels Mono/Stereo (equivalent of 80 DSP channels)

Audio Specification

  • Sample Rate 48kHz, 96kHz
  • Processing Delay 2ms Typical @ 48k(60 Stereo Channels, Stage
  • Input Through L-R Buss to Stage Output) 1.1ms @ 96kHz
  • Internal Processing Up to 40-bit, Floating Point
  • A>D & D>A 24-bit Converter Bit Depth
  • Frequency Response +/- 0.6dB (20Hz – 20kHz)
  • THD <0.05% @ Unity Gain, 10dB Input @ 1kHz
  • Channel Seperation Better Than 90dB (40Hz – 15kHz)
  • Residual Output <90dBu Typical
  • Noise (20Hz - 20kHz)
  • Microphone Input Better Than -126dB Equivalent Noise
  • Maximum Output Level +22dBu
  • Maximum Input Level +22dBu

Processing Channel Specification
Input Channel

  • Input Name User-Defined
  • Channel Selection Mono / Stereo
  • Input Routing Main Input
  • Analogue Gain -20 to +60dB
  • Phase Normal / Reverse
  • Digital Trim 40 to +40dB
  • Delay 0 - 682ms
  • DiGiTuBe Drive 0.01 - 50.0
  • Bias 0 - 6
  • LPF 20 – 20kHz, 24dB/Oct
  • HPF 20 – 20kHz, 24dB/Oct
  • Insert A (Pre EQ/Dyn) On/Off
  • Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hishelf, Hi/Hishelf) 
    On/Off
    Freq; 20 – 20kHz 
    Gain; +/- 18dB 
    Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
  • Dynamics 1 Single or 4 x Multiband (3-Band)
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft
  • Dynamics 2 On/Off
    Gate / Ducker Threshold; -60 – 0dB 
    Attack; 50us – 100ms 
    Hold; 2ms – 2s 
    Release; 5ms – 5s 
    Range; 0 - 90dB 
    Key; Any Source 
    Key Listen 
    Freq/Width; 20 – 20kHz
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB
    Link; Any Channel / Buss
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B (Post EQ/Dyn) On/Off
  • Mute Channel Mute
  • Solo Solo Buss 1 / Solo Buss 2 / Both,
  • Channel Safe Socket Properties, Input Route, Mono/Stereo, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Aux, Group Assigns, Pan, Fade, Mute, Direct Outs, Full Safe
  • Output Routing Buss,
  • Insert A, Insert B,
  • Direct: Post-Fade
  • Fader 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name User-Defined
  • Phase Normal / Reverse
  • Digital Trim -40 to +40dB
  • Delay 0 - 682ms
  • DiGiTuBe Drive 0.01 - 50.0 Bias 0 - 6
  • LPF 20 – 20kHz, 24dB / Oct
  • HPF 20 – 20kHz, 24dB / Oct 
  • Insert A (Pre EQ/Dyn) On/Off
  • Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) 
    On/Off
    Freq; 20 – 20kHz 
    Gain; +/- 18dB 
    Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
  • Dynamics 1 Single or 4 x Multiband (3-band)
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB 
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft
  • Gate / Ducker Threshold; -60 – 0dB 
    Attack; 50us – 100ms 
    Hold; 2ms – 2s 
    Release; 5ms – 5s 
    Range; 0 - 90dB 
    Key; Any Source 
    Key Listen 
    Freq/Width; 20 – 20kHz
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB 
    Link; Any Channel/Buss
    S/C Source : Any source 
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B (Post EQ/Dyn) On/Off
  • Mute Channel Mute
  • Solo Solo Buss 1 / Solo Buss 2 / Both,
  • Channel Safe Mono/Stereo, Bus Mode, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Group Assigns, Fade, Mute, Direct Outs, 
    Full Safe
  • Output Routing Outputs, Insert A, Insert B
  • Fader 100mm Motorised Fader ∞ to + 10dB

 

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Call or Email for (LOWER) D.O'B. Sound Pro Price


Package includes: X-S21-WS, DMI-B, DMI-K, D2 MADI Rack x1 (part# X-D2-AN-M) 48 In x 16 Analog Out (expandable to 32 Outputs), 100M (328 ft.) BNC MADI Cables x 2 and Dust Cover FC-21 3 Piece Touring Flight Case on Casters


Connections: 24 Mic/Line In, 12 Line Out, 2 Ch AES In/Out, DMI Slot x 2, USB-B 48 Track Recording Interface
Connectors: Dependent on cards loaded in DMI Slots, USB-Type B

* Special Package Pricing - Save over $1,100 over purchasing these items separately

S21 MAIN FEATURES

  • 48 Flexi Input Channels
  • 16 Flexi Aux / Sub-Group Busses
  • LR Master Bus
  • 10 x 8 Full Processing Matrix
  • 2 Solo
  • 4 (To Follow) Dynamic Equalizers
  • 4 Assignable DiGiTuBes
  • 4 Assignable Multiband Compressors
  • 8 Digital FX
  • 16 Assignable Graphic Equalizers
  • Optional Waves Integration
  • 96kHz Sample Rate
  • N/A Optics

 

S21 : Overview

Since it's inception in 2002, DiGiCo has always tried to innovate and push technology to deliver more in terms of flexibility and audio quality. There are limitless highlights, but two immediately come to mind; DiGiCo was the first console manufacturer to use TFT touch screen technology, and then went on to pioneer Stealth Digital Processing's FPGA technology to replace DSP as the main audio processor. Stealth Digital Processing has been instrumental in the SD Series range, where, in a recent independent survey, DiGiCo played a pivotal role in eight of the top ten international grossing tours of 2014; evidence enough that when it comes to live sound consoles, DiGiCo pioneers the way. ‘Cutting edge' means leading the world against the norm by demonstrating what can be possible with new unharnessed technology. That's exactly what the vision of FPGA and Stealth Digital Processing promised and the thousands of users today will confirm the reality. The flexibility of being able to reprogram devices from switch on to taking advantage of new compiling tools has allowed the SD range functionality to expand beyond expectation.

Using SD9 as our reference example, those investing at the time of launch of this ground breaking product have seen their console evolve into something more comprehensive and powerful, ie: Channels - at launch 40 Flexi channels, today 48 flexi channels (20 % more). Busses - at launch 16 flexi busses, today 24 flexi busses (50 % more). Output Matrix - at launch 8 In / 8 Out, today 12 In / 8 Out. On board FX - at launch 4 FX, today 8 FX. Dynamic EQ - at launch 4 DYN EQ, today 8 DYN EQ

No other console has evolved in terms of core processing to this level, and to take it further the complete sample rate shifted from 48kHz to 96kHz. This sample rate increase, in any ordinary console, would mean a reduction in audio processing. This is not the case with Stealth Digital Processing. When SD9 switched to 96kHz in 2012, there was no reduction in audio processing. All these updates were provided to existing owners at no additional cost, allowing them to make an exceptional return on their investment.

DiGiCo's belief in audio quality and road worthy mechanical design has limited their ability to release an affordable introductory product. These values have required the same pioneering approach to design, not to follow the trend but to deliver the flagship for a price point - and change expectations. DiGiCo's S21 does exactly that. By using new, lower cost FPGA components programmed with the same audio algorithms, and combined with a new form of control processor, DiGiCo is able to deliver the S21 with the fundamental technological values at it's core. Running in harmony with the FPGA core is a new ARM QuadCore RISC processor. Delivering faster processing with lower power consumption, this efficient tool, combined with the audio core, has allowed the development of a cost effective console worthy of carrying the DiGiCo brand to existing and new owners and users.

How to make the step
To date, it has been the Tiger SHARC controlling the FPGA, but integrating these three technologies, along with networking capabilities, was a brand new challenge. Using the high power QuadCore SoC, associated with high bandwidth memory, S21 connects to a low power 484-ball array FPGA which in turn connects to fourth generation control SHARC DSP, capable of not only controlling the FPGA, but offering the potential for additional processing in the future. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface.

Two Touch Screens
Touch screens are now part of our daily lives, but if you go back to our digital beginnings, DiGiCo incorporated them in designs as long ago as 1997. Continuing their integration, with the advantages of speed of control and user feedback, meant that S21 had to bend the rules again. We utilised the latest P-CAP multi-touch screens for clear visual feedback and gesture control, but also did not limit the user to a single screen - by providing multiple multi-touch screens!


The compact dual screen design of S21 provides 10 channel strips per screen allowing the operator instant feedback and control on 20 simultaneous channels. This amount of instantaneous feedback offers total reassurance when mixing large shows, but the newly designed drag, swipe and drop channel layout system makes it simple for operators to move channels and busses across the surface to design their own custom fader layouts.


Whatever function you are using, there is an interactive meter where you would expect it, and helpful colour coding so you know which section you're looking at, be it channel, aux, or group.


Visual feedback is all reinforced with the HTL functionality of the encoder rings, and anything not in use is automatically greyed out on the console so operator's attention is drawn to the right controls.


The beauty of having two screens not only gives you more channels to view at any one time, but it allows you to utilise one as a setup or master screen, while still operating with the other. You are always looking in the same location, whatever function you have highlighted.


Touch the EQ screen, and you can choose to pinch, touch and drag your curves on the touch screen, or for a more tactile experience, use the rotary encoders to fine-tune your frequencies, then press to change function or switch on/off. It's the same philosophy for all other processing functions within the console.
The new look screen designs are all developed under the flat designs philosophy, to aid the user learning curve and take away distraction from an operator. These new designs will still be familiar to existing DiGiCo users, but allow new operators to feel at home and ready to take advantage of the wealth of integrated processing. 


Channel Bank Layout: as with all DiGiCo products, you can alter where the banks are located, and mix and match any channel, aux, group, control group, or matrix within a bank, with the ease of drag and drop, at the touch of a screen.

Interfacing
S21 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. All bases are covered.

Construction
As an audio engineer, when you first stand in front of an S21, it looks and feels remarkably inviting. You want to touch and control the audio. This level of connection with the audio sources and their manipulation is something the world's leading audio engineers experience when they harness the powerful SD7. From the aerospace graded aluminium extrusion, the durable polycarbonate overlays, the RGB LED Hidden Til Lit technology coupled with touch sensitive faders / encoders and integrated LED light bar, you know it's a DiGiCo before you turn the PA on. The S21 redefines industry expectations at its price point.

Options

The following options are available:

Interfacing
S21 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. All bases are covered.
The following modules are available. 

General Specifications

  • 46 busses: 16 x flexi-busses Mono/Stereo (equivalent of 32 DSP busses), Stereo Master (2), Solo busses (2 stereo, 4 total), and 10 x 8 Matrix (8)
  • 10 x Control Groups
  • 1 x Compressor per channel and buss
  • 1 x Gate per channel and buss (switchable to ducker, or compressor with side chain access)
  • 16 x assignable 32 band Graphic EQs
  • 8 x FX engines (reverbs, delays, w/modulation and enhancer)
  • 4 x assignable DiGiTuBes
  • 4 x assignable Multiband Comps
  • User definable Macros
  • An extremely high power headphone amplifier with 1/4 inch and mini jack socket
  • 96kHz as standard
  • 24 mic line inputs
  • 12 analogue outs
  • 2 AES I/O (mono)
  • Word Clock I/O
  • 1 GPI and 1 GPO
  • DVI out (for an external monitor)
  • 2 DMI Card slots (up to 64 I/O per slot)
  • 2 Ethernet connections for Networking
  • 2 x 24 segment master/solo meters
  • Touch sensitive rotaries with integrated switch & HTL
  • 2 x multi-touch screens
  • 21 x touch sensitive moving faders
  • 4 x layers of banks of 10 faders
  • Customisable bank and channel layout
  • Snapshots
  • Integrated USB2 Audio I/O interface for recording and playback of up to 48 channels 40 x Input flex-channels Mono/Stereo (equivalent of 80 DSP channels)

Audio Specification

  • Sample Rate 48kHz, 96kHz
  • Processing Delay 2ms Typical @ 48k(60 Stereo Channels, Stage
  • Input Through L-R Buss to Stage Output) 1.1ms @ 96kHz
  • Internal Processing Up to 40-bit, Floating Point
  • A>D & D>A 24-bit Converter Bit Depth
  • Frequency Response +/- 0.6dB (20Hz – 20kHz)
  • THD <0.05% @ Unity Gain, 10dB Input @ 1kHz
  • Channel Seperation Better Than 90dB (40Hz – 15kHz)
  • Residual Output <90dBu Typical
  • Noise (20Hz - 20kHz)
  • Microphone Input Better Than -126dB Equivalent Noise
  • Maximum Output Level +22dBu
  • Maximum Input Level +22dBu

Processing Channel Specification
Input Channel

  • Input Name User-Defined
  • Channel Selection Mono / Stereo
  • Input Routing Main Input
  • Analogue Gain -20 to +60dB
  • Phase Normal / Reverse
  • Digital Trim 40 to +40dB
  • Delay 0 - 682ms
  • DiGiTuBe Drive 0.01 - 50.0
  • Bias 0 - 6
  • LPF 20 – 20kHz, 24dB/Oct
  • HPF 20 – 20kHz, 24dB/Oct
  • Insert A (Pre EQ/Dyn) On/Off
  • Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hishelf, Hi/Hishelf) 
    On/Off
    Freq; 20 – 20kHz 
    Gain; +/- 18dB 
    Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
  • Dynamics 1 Single or 4 x Multiband (3-Band)
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft
  • Dynamics 2 On/Off
    Gate / Ducker Threshold; -60 – 0dB 
    Attack; 50us – 100ms 
    Hold; 2ms – 2s 
    Release; 5ms – 5s 
    Range; 0 - 90dB 
    Key; Any Source 
    Key Listen 
    Freq/Width; 20 – 20kHz
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB
    Link; Any Channel / Buss
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B (Post EQ/Dyn) On/Off
  • Mute Channel Mute
  • Solo Solo Buss 1 / Solo Buss 2 / Both,
  • Channel Safe Socket Properties, Input Route, Mono/Stereo, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Aux, Group Assigns, Pan, Fade, Mute, Direct Outs, Full Safe
  • Output Routing Buss,
  • Insert A, Insert B,
  • Direct: Post-Fade
  • Fader 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name User-Defined
  • Phase Normal / Reverse
  • Digital Trim -40 to +40dB
  • Delay 0 - 682ms
  • DiGiTuBe Drive 0.01 - 50.0 Bias 0 - 6
  • LPF 20 – 20kHz, 24dB / Oct
  • HPF 20 – 20kHz, 24dB / Oct 
  • Insert A (Pre EQ/Dyn) On/Off
  • Equalisation 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) 
    On/Off
    Freq; 20 – 20kHz 
    Gain; +/- 18dB 
    Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
  • Dynamics 1 Single or 4 x Multiband (3-band)
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB 
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft
  • Gate / Ducker Threshold; -60 – 0dB 
    Attack; 50us – 100ms 
    Hold; 2ms – 2s 
    Release; 5ms – 5s 
    Range; 0 - 90dB 
    Key; Any Source 
    Key Listen 
    Freq/Width; 20 – 20kHz
    Compressor On/Off 
    Threshold; -60 – 0dB 
    Attack; 500us – 100ms 
    Release; 5ms – 5s 
    Ratio; 1:1 – 50:1 
    Gain; 0 to +40dB 
    Link; Any Channel/Buss
    S/C Source : Any source 
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B (Post EQ/Dyn) On/Off
  • Mute Channel Mute
  • Solo Solo Buss 1 / Solo Buss 2 / Both,
  • Channel Safe Mono/Stereo, Bus Mode, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Group Assigns, Fade, Mute, Direct Outs, 
    Full Safe
  • Output Routing Outputs, Insert A, Insert B
  • Fader 100mm Motorised Fader ∞ to + 10dB

 

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available
Call or email D.O'B. Sound Pro for lower price
The Pro Show bundle includes over 120 SoundGrid-compatible plugins, including the Essentials bundle, the SSL 4000 Collection, CLA Classic Compressors, JJP Analog Legends, the API Collection and more.
  • Over 120 plugins for SoundGrid® systems
  • Designed for all SoundGrid-enabled consoles
  • Features The API and SSL 4000 Collections, CLA Classic Compressors, JJP Analog Legends and more

Shipping

  • Most items are shipped out within 2 business days upon cleared payment
  • Ground shipping is free (orders over $40).
  • Free shipping only to the lower 48 states

Two plug-ins for auto-mixing multiple mics in real time.

Dugan Speech and Dugan Automixer are the definitive solution for broadcast news panels, radio and TV talk shows, houses of prayer, motion picture dialog recording, discussion panels, and any other situation involving numerous microphones and participants.

In this high-value package, you get the Dugan Speech plug-in for integrated use inside the eMotion LV1 mixing console, and the Dugan Automixer plug-in for use with other major consoles via the MultiRack plugin host. Developed with pro audio inventor Dan Dugan, both Dugan plugins are powered by his patented voice-activated process.

The Dugan plug-ins save you the need to manually ride faders while trying to keep up with several people talking. They can auto-mix up to 64 channels simultaneously and make perfectly matched crossfades, without compression or noise gates that would cause unwanted artifacts. They also reduce noise, feedback and comb filtering from neighboring microphones, ensuring consistent overall gain even when numerous speakers are talking simultaneously.

FEATURES

  • Official Dugan plug-ins developed in association with Dan Dugan
  • Includes Dugan Speech for the eMotion LV1 console + Dugan Automixer for other mixing consoles (via Waves MultiRack only)
  • Auto-mix up to 64 live microphones in real time
  • No need to ride faders manually
  • Ideal for scenarios involving several participants and microphones
  • Automatically reduces noise and feedback
  • Ensures consistent overall gain
  • Perfectly matched transparent crossfades

Professional software solutions for the studio, stage and more. Order Waves today!

 

Shipping

  • Most items are shipped out within 2 business days upon cleared payment
  • Ground shipping is free (orders over $40).
  • Free shipping only to the lower 48 states

With over 40 plugins for live sound covering everything from EQ, reverb, and modulation to compression, gating, and limiting, Waves Live Bundle gives you all the processing power you need to take it to the stage.

Waves Live Bundle Includes:

  • AudioTrack
  • C1 Compressor
  • C4 Multiband Compressor
  • DeEsser
  • Doppler
  • Doubler
  • Enigma
  • GTR3 Amps
  • GTR3 Stomps
  • GTR3 ToolRack
  • GTR3 Tuner
  • H-Comp Hybrid Compressor
  • H-Delay Hybrid Delay
  • L1 Ultramaximizer
  • L2 Ultramaximizer
  • L3 Ultramaximizer
  • L3-LL Ultramaximizer
  • Linear Phase EQ
  • Linear Phase Multiband Compressor
  • MaxxBass
  • MaxxVolume
  • MetaFlanger
  • MondoMod
  • MV2
  • OneKnob Driver
  • PAZ Analyzer
  • PS22 Stereo Maker
  • PuigTec EQs
  • Q10 Equalizer
  • Renaissance Axx
  • Renaissance Bass
  • Renaissance Channel
  • Renaissance Compressor
  • Renaissance DeEsser
  • Renaissance Equalizer
  • Renaissance Reverb
  • Renaissance Vox
  • S1 Stereo Imager
  • SuperTap
  • Trans-X
  • TrueVerb
  • V-Comp
  • V-EQ3
  • V-EQ4
  • Vitamin Sonic Enhancer

Waves is pleased to offer three fully SoundGrid-compatible plugin bundles which were hand-picked especially for FOH and Monitor engineers.

From EQ, compression, reverb, and delay to vocal tools, bass extension, limiting, and level maximization, SoundGrid Essentials includes 30 bread & butter plugins to cover all your critical processing needs.

Includes the following plug-ins:

  • AudioTrack
  • C1
  • C4
  • DeEsser
  • Hcomp
  • Hdelay
  • L1
  • MaxxBass
  • Meta Flanger
  • Mondomod
  • Paz
  • MV2
  • Q10
  • RenAxx
  • RenEQ
  • RenComp
  • Ren Verb
  • RenBass
  • RenChannel
  • RenVox
  • RenDeEsser
  • SuperTap
  • TransAxx
  • TrueVerb
  • VComp
  • VEQ3
  • VEQ4
  • Vocal Rider

Shipping

  • Most items are shipped out within 2 business days upon cleared payment
  • Ground shipping is free (orders over $40).
  • Free shipping only to the lower 48 states

Includes: Waves Extreme (WSGSE) Sound Grid Server Rack 2U,
5 Port Ethernet Switch x 1, 1M x 2 & 5M x 1 CAT5e cables)
Note: Plug-Ins not included *Extreme approx. 40% increase in processing above (X-WAVES-EX) 

Product Overview

A host platform for Waves audio processing plug-ins, designed especially for live sound applications. It provides a software equivalent to outboard hardware processing Racks, and is integrated with your SD console software. The Waves package consists of both hardware and software upgrades for the SD Console, and allows users to run low latency Waves plugins on the console.

The control of the plugins is full integrated into the SD environment through the MultiRack interface, and the processing for the plugins is handled by a Waves SoundGrid Server. Waves MultiRack provides the ability to use 16 mono or stereo racks in the SD8 and SD9, and 32 mono or stereo racks in the SD7.

Each of the racks can contain a chain of up to 8 plugins. The Waves SoundGrid system delivers low latency I/O at less than 1ms. Depending on the specific plugins used within each rack, the latency may then increase; some plugins use look-ahead algorithms which inherently add latency, while others may take a few samples to process the audio.

SoundGrid SGS1 Server One
Ideal for venues of any size, Waves Server One for SoundGrid systems is a rackmount unit which packs a whopping 8 GB of RAM plugin processing power.

SoundGrid Technology
SoundGrid is an Audio-over-Ethernet networking and processing technology developed by Waves. SoundGrid provides extremely low-latency, high-channel-count audio processing using standard Intel CPUs and 1 Gbps Ethernet networks for studio, live sound, and other real-time professional audio applications. Real-time audio processing is performed on standard Intel-based plugin servers, running a Waves-customized real-time version of Linux.

Audio Transport and System Control
SoundGrid is a proprietary Ethernet Layer 2 Protocol and EtherType. Audio is transported and routed between networked I/O devices and is processed on plugin servers connected to the same network. The I/O device converts SoundGrid packets to standard and proprietary audio protocol schemes.

Audio Processing
Taking advantage of today’s extraordinary CPU power and the memory capabilities of Native processing, SoundGrid runs on standard CPUs under custom-optimized Linux OS, resulting in predictability, stability and low latency that were previously exclusive to dedicated DSP-based systems. Consequently, SoundGrid can run hundreds of compatible Waves and third-party plugins in real time, as well as extremely CPU-intensive plugins that are beyond the capabilities of DSP-based systems.

Separate computers form the basis of the SoundGrid processing ability:
SoundGrid server(s) – CPUs dedicated exclusively to audio processing running a customized Linux OS that is optimized for audio processing.
SoundGrid host – a standard Windows or Mac computer that runs the SoundGrid host application and GUI functions.

This division of labor between an audio processing server for plugin processing and a host computer for DAW processing is the key to the high performance, stability and low latency achieved by SoundGrid.

Audio Interfacing
Audio is interfaced with SoundGrid by integrating a SoundGrid-programmed FPGA (Xilinx Spartan 3) into a mixing console’s I/O ports. The FPGA receives I2S or other audio signal formats and converts them to the SoundGrid format. The FPGA is also used to transfer control messages between control nodes external to the SoundGrid network and the SoundGrid control application.

Control Software
SoundGrid audio processing, connections, system configuration and monitoring are controlled by Waves’ SoundGrid Studio System software (the SoundGrid Studio Application, the SoundGrid ASIO/Core Audio driver, the eMotion ST mixer, and StudioRack for studio or MultiRack for live environments).

System Configuration
System configuration data is part of the SoundGrid protocol, allowing users to:
- Connect and route audio between system components
- Configure I/O devices
- Configure plugin servers
- Set system sample rate, block size, and latency
- Monitor and control system and component status
- Set redundancy and recovery modes

Scalability
SoundGrid systems can be easily configured for optimal effectiveness per channel count, processing capabilities, routing and sample rate, and are easily expanded by adding I/Os or processing devices as required.

Third-Party Hardware and Software Compatibility
SoundGrid is a protocol for real-time, low-latency audio processing and networking. It enables applications such as MultiRack and SoundGrid Studio and DAW plugins such as StudioRack to share and control I/O devices and servers across a network. It brings flexibility, quality and economy to work environments ranging from simple project studios to complex networked recording and broadcast companies.

The SoundGrid infrastructure is open to third-party hardware and software developers alike. Waves is working closely with additional plugin vendors and several hardware manufacturers in order to createa wide range of solutions and expand even further the family of SoundGrid-compatible tools. Committed to this task, Waves invites additional companies to be part of this revolution. Waves guarantees to provide the necessary tools, support, and supervision in order to ensure the high-quality products that our industry expects and deserves.

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

 

 

Includes: Waves SGS1 (WSGS) Sound Grid Server Rack 2U,
5 Port Ethernet Switch x 1, 1M x 2 & 5M x 1 CAT5e cables)
Note: Plug-Ins not included

Product Overview

A host platform for Waves audio processing plug-ins, designed especially for live sound applications. It provides a software equivalent to outboard hardware processing Racks, and is integrated with your SD console software. The Waves package consists of both hardware and software upgrades for the SD Console, and allows users to run low latency Waves plugins on the console.

The control of the plugins is full integrated into the SD environment through the MultiRack interface, and the processing for the plugins is handled by a Waves SoundGrid Server. Waves MultiRack provides the ability to use 16 mono or stereo racks in the SD8 and SD9, and 32 mono or stereo racks in the SD7.

Each of the racks can contain a chain of up to 8 plugins. The Waves SoundGrid system delivers low latency I/O at less than 1ms. Depending on the specific plugins used within each rack, the latency may then increase; some plugins use look-ahead algorithms which inherently add latency, while others may take a few samples to process the audio.

SoundGrid SGS1 Server One
Ideal for venues of any size, Waves Server One for SoundGrid systems is a rackmount unit which packs a whopping 8 GB of RAM plugin processing power.

SoundGrid Technology
SoundGrid is an Audio-over-Ethernet networking and processing technology developed by Waves. SoundGrid provides extremely low-latency, high-channel-count audio processing using standard Intel CPUs and 1 Gbps Ethernet networks for studio, live sound, and other real-time professional audio applications. Real-time audio processing is performed on standard Intel-based plugin servers, running a Waves-customized real-time version of Linux.

Audio Transport and System Control
SoundGrid is a proprietary Ethernet Layer 2 Protocol and EtherType. Audio is transported and routed between networked I/O devices and is processed on plugin servers connected to the same network. The I/O device converts SoundGrid packets to standard and proprietary audio protocol schemes.

Audio Processing
Taking advantage of today’s extraordinary CPU power and the memory capabilities of Native processing, SoundGrid runs on standard CPUs under custom-optimized Linux OS, resulting in predictability, stability and low latency that were previously exclusive to dedicated DSP-based systems. Consequently, SoundGrid can run hundreds of compatible Waves and third-party plugins in real time, as well as extremely CPU-intensive plugins that are beyond the capabilities of DSP-based systems.

Separate computers form the basis of the SoundGrid processing ability:
- SoundGrid server(s) – CPUs dedicated exclusively to audio processing running a customized Linux OS that is optimized for audio processing.
- SoundGrid host – a standard Windows or Mac computer that runs the SoundGrid host application and GUI functions.

This division of labor between an audio processing server for plugin processing and a host computer for DAW processing is the key to the high performance, stability and low latency achieved by SoundGrid.

Audio Interfacing
Audio is interfaced with SoundGrid by integrating a SoundGrid-programmed FPGA (Xilinx Spartan 3) into a mixing console’s I/O ports. The FPGA receives I2S or other audio signal formats and converts them to the SoundGrid format. The FPGA is also used to transfer control messages between control nodes external to the SoundGrid network and the SoundGrid control application.

Control Software
SoundGrid audio processing, connections, system configuration and monitoring are controlled by Waves’ SoundGrid Studio System software (the SoundGrid Studio Application, the SoundGrid ASIO/Core Audio driver, the eMotion ST mixer, and StudioRack for studio or MultiRack for live environments).

System Configuration
System configuration data is part of the SoundGrid protocol, allowing users to:
- Connect and route audio between system components
- Configure I/O devices
- Configure plugin servers
- Set system sample rate, block size, and latency
- Monitor and control system and component status
- Set redundancy and recovery modes

Scalability
SoundGrid systems can be easily configured for optimal effectiveness per channel count, processing capabilities, routing and sample rate, and are easily expanded by adding I/Os or processing devices as required.

Third-Party Hardware and Software Compatibility
SoundGrid is a protocol for real-time, low-latency audio processing and networking. It enables applications such as MultiRack and SoundGrid Studio and DAW plugins such as StudioRack to share and control I/O devices and servers across a network. It brings flexibility, quality and economy to work environments ranging from simple project studios to complex networked recording and broadcast companies.

The SoundGrid infrastructure is open to third-party hardware and software developers alike. Waves is working closely with additional plugin vendors and several hardware manufacturers in order to createa wide range of solutions and expand even further the family of SoundGrid-compatible tools. Committed to this task, Waves invites additional companies to be part of this revolution. Waves guarantees to provide the necessary tools, support, and supervision in order to ensure the high-quality products that our industry expects and deserves.

Shipping

  • Most items are shipped out within 2 business day after cleared payment
  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states

 

Digico DiGiGrid MGO for MADI (MGO

Digico DiGiGrid MGO for MADI (MGO

by Digico
$2,150.00

The DiGiGrid MGO interface gives you the ability to connect any optical MADI-enabled device to Waves SoundGrid, for networking and processing. Use hundreds of Waves and third-party plugins to record, process and playback up to 128 audio channels, with super-low latency of only 0.8 milliseconds. This compact and portable MADI interface even lets you record to two computers at the same time, so you can use one for virtual soundcheck, the other for backup. Whether you’re in a hotel room, on the tour bus or between flights, you can get to work setting up your next show – on your laptop.

With a DiGiGrid MGO MADI-to-SoundGrid interface and an Ethernet cable, real-time low-latency networking and processing is at your fingertips.

In its most basic mode, connect the MGO straight to your laptop or desktop: You can now record up to 128 channels through your computer’s 1GB Ethernet port, with simultaneous playback of 128 channels.

Add a SoundGrid DSP server and SWI plus Waves MultiRack SoundGrid host application, and now any MADI-compatible live or broadcast console has instant access to real-time low-latency processing.

Does your application demand a higher level of audio quality? A simple configuration change switches the unit over to 96kHz, with 64 channels of recording and 64 channels of simultaneous playback.

And if longer distance optical fiber cable runs are required, simply upgrade either or both of the MGO’s standard multimode transceivers to optional single mode transceivers.

Specifications

MADI Optical I/O (SFP)
Supported sample rates: 44.1, 48, 88.2, 96 kHz
112/128 channel I/O @ 48kHz
56/64 channel I/O @ 96kHz
56 and 64 channel mode support
Double wire (48k frame) and single wire (96k frame) @ 96kHz support
Clock synchronization via Word Clock input, MADI (port A), SoundGrid (Sync over Ethernet), Internal
1 SoundGrid RJ45 Ethernet port
Reset switch
DiGiCo Stage Rack channel 57 support

Weight and Dimensions

      Height: 148.2mm

      Width: 106mm

      Depth: 29mm

    Weight: 0.4Kg

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Expand Your D2-Rack

One of the best features of DiGiCo's D2-Rack is its flexible expandable I/O. In addition to its already ample connectivity, it includes two option card slots that supply up to 16 additional outputs, bringing the D2-Rack's total up to 32. The MOD-D2R-DAC is an 8-channel analog output card that occupies a single expansion slot on the D2-Rack. 

D2-Rack adds flexible I/O to your DiGiCo console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single BNC or Cat 5e cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 24 microphone inputs, 24 switchable Mic/AES inputs, and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-Rack is a great way to add flexible I/O to your DiGiCo digital console.

-- From the Digico D2 MADI Rack this card adds 16 channels of output to an Aviom Personal Monitoring System--

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Expand Your D2-Rack

One of the best features of DiGiCo's D2-Rack is its flexible expandable I/O. In addition to its already ample connectivity, it includes two option card slots that supply up to 16 additional outputs, bringing the D2-Rack's total up to 32. The MOD-D2R-DAC is an 8-channel analog output card that occupies a single expansion slot on the D2-Rack. 

D2-Rack adds flexible I/O to your DiGiCo console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single BNC or Cat 5e cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 24 microphone inputs, 24 switchable Mic/AES inputs, and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-Rack is a great way to add flexible I/O to your DiGiCo digital console.

Characteristics:

  • Expansion card for D2-Rack.
  • 8 AES digital outputs
  • XLR connectors.

Call or Email for D.O'B. Sound Pro - LOWER PRICE

Expand Your D2-Rack

One of the best features of DiGiCo's D2-Rack is its flexible expandable I/O. In addition to its already ample connectivity, it includes two option card slots that supply up to 16 additional outputs, bringing the D2-Rack's total up to 32. The MOD-D2R-DAC is an 8-channel analog output card that occupies a single expansion slot on the D2-Rack. 

D2-Rack adds flexible I/O to your DiGiCo console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single BNC or Cat 5e cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 24 microphone inputs, 24 switchable Mic/AES inputs, and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-Rack is a great way to add flexible I/O to your DiGiCo digital console.

DiGiCo MOD-D2R-DAC Features:

  • 8-channel analog output card for DiGiCo's D2-Rack
  • Occupies a single expansion slot
  • Install a pair for a total of 16 additional outputs

Tech Specs

  • Compatibility:DigiCo D2-Rack
  • Number of Channels:8
  • Outputs:8 x XLR
  • Manufacturer Part Number:MOD-D2R-DAC

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Call or Email for D.O'B. Sound Pro - LOWER PRICE

Add Flexible I/O to Your DiGiCo Console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single CAT5e cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 24 Analog In + 24 AES In, and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-MADI Rack is a great way to add flexible I/O to your DiGiCo digital console.

Flexible expandable I/O

The D2-Rack is loaded with flexible I/O. It all starts with 24 mic inputs and 16 analog outputs. You also get 24 switchable mic/AES inputs. Beyond that, two option card slots supply you with an additional 16 outputs — either analog, AES, or Aviom — for a total of 32 outputs.

Two MADI ports allow for shared I/O

Thanks to its two MADI ports, the D2-rack can share I/O between two S- or SD-Series consoles at 48kHz. You can also combine the two ports to create a single 96kHz MADI connection with no reduction in I/O.

 

DiGiCo D2-Rack Features:

  • Digital stagebox for DiGiCo S- and SD-Series consoles
  • 24 mic inputs, 24 switchable mic/AES inputs, and 16 analog outputs
  • 2 expansion slots provide an additional 16 analog, AES, or Aviom outputs (modules sold separately)
  • Run digital audio to and from the stage with a single cat5e cable
  • Up to 24-bit/96kHz digital audio for world-class sound
  • Dual MADI ports allow sharing of I/O between two consoles at 48kHz
  • Dual redundant power supplies provide peace of mind

Tech Specs

  • Type:Rack Stage Box
  • Compatibility:DigiCo S-series/SD-series Digital Consoles
  • Channels:48
  • Inputs - Mic Preamps:24 x XLR (mic), 24 x XLR (mic/AES)
  • Outputs - Main:16 x XLR (line out)
  • Inputs - Digital:1 x cat5e (MADI main), cat5e (MADI aux)
  • Outputs - Digital:1 x cat5e (MADI main), 1 x cat5e (MADI aux)
  • USB:1 x Type B
  • I/O Expansion Slots:2 x 8-channel Slots Available
  • Rackmountable:Yes. 9U
  • Power Source:Dual Redundant Power Supplies
  • Manufacturer Part Number:X-D2-AN-C

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Call or Email for D.O'B. Sound Pro - LOWER PRICE

Add Flexible I/O to Your DiGiCo Console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single CAT5e cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 24 Analog inputs, 24 AES Inputs and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-MADI Rack is a great way to add flexible I/O to your DiGiCo digital console.

Flexible expandable I/O

The D2-Rack is loaded with flexible I/O. It all starts with 24 mic inputs, 24 AES Inputs and and 16 analog outputs. You also get 24 switchable mic/AES inputs. Beyond that, two option card slots supply you with an additional 16 outputs — either analog, AES, or Aviom — for a total of 32 outputs.

Two MADI ports allow for shared I/O

Thanks to its two MADI ports, the D2-rack can share I/O between two S- or SD-Series consoles at 48kHz. You can also combine the two ports to create a single 96kHz MADI connection with no reduction in I/O.

DiGiCo D2-Rack Features:

  • Digital stagebox for DiGiCo S- and SD-Series consoles
  • 24 mic inputs, 24 switchable mic/AES inputs, and 16 analog outputs
  • 2 expansion slots provide an additional 16 analog, AES, or Aviom outputs (modules sold separately)
  • Run digital audio to and from the stage with a single cat5e cable
  • Up to 24-bit/96kHz digital audio for world-class sound
  • Dual MADI ports allow sharing of I/O between two consoles at 48kHz
  • Dual redundant power supplies provide peace of mind

Tech Specs

  • Type:Rack Stage Box
  • Compatibility:DigiCo S-series/SD-series Digital Consoles
  • Channels:48
  • Inputs - Mic Preamps:24 x XLR (mic), 24 x XLR (mic/AES)
  • Outputs - Main:16 x XLR (line out)
  • Inputs - Digital:1 x cat5e (MADI main), cat5e (MADI aux)
  • Outputs - Digital:1 x cat5e (MADI main), 1 x cat5e (MADI aux)
  • USB:1 x Type B
  • I/O Expansion Slots:2 x 8-channel Slots Available
  • Rackmountable:Yes. 9U
  • Power Source:Dual Redundant Power Supplies
  • Manufacturer Part Number:X-D2-AN-C

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available
Call or Email for D.O'B. Sound Pro - LOWER PRICE

Add Flexible I/O to Your DiGiCo Console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single BNC cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 24 microphone inputs, 24 switchable Mic/AES inputs, and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-Rack is a great way to add flexible I/O to your DiGiCo digital console.

Flexible expandable I/O

The D2-Rack is loaded with flexible I/O. It all starts with 24 mic inputs and 16 analog outputs. You also get 24 switchable mic/AES inputs. Beyond that, two option card slots supply you with an additional 16 outputs — either analog, AES, or Aviom — for a total of 32 outputs. At Sweetwater, we love the versatility that the D2-Rack brings to DiGiCo's consoles.

Two MADI ports allow for shared I/O

Thanks to its two MADI ports, the D2-rack can share I/O between two S- or SD-Series consoles at 48kHz. You can also combine the two ports to create a single 96kHz MADI connection with no reduction in I/O.

DiGiCo D2-Rack Features:

  • Digital stagebox for DiGiCo S- and SD-Series consoles
  • 24 mic inputs, 24 switchable mic/AES inputs, and 16 analog outputs
  • 2 expansion slots provide an additional 16 analog, AES, or Aviom outputs (modules sold separately)
  • Run digital audio to and from the stage with a single BNC cable
  • Up to 24-bit/96kHz digital audio for world-class sound
  • Dual MADI ports allow sharing of I/O between two consoles at 48kHz
  • Dual redundant power supplies provide peace of mind

Tech Specs

  • Type:Rack Stage Box
  • Compatibility:DigiCo S-series/SD-series Digital Consoles
  • Channels:48
  • Inputs - Mic Preamps:24 x XLR (mic), 24 x XLR (mic/AES)
  • Outputs - Main:16 x XLR (line out)
  • Inputs - Digital:1 x BNC (MADI main), 1 x BNC (MADI aux)
  • Outputs - Digital:1 x BNC (MADI main), 1 x BNC (MADI aux)
  • USB:1 x Type B
  • I/O Expansion Slots:2 x 8-channel Slots Available
  • Rackmountable:Yes. 9U
  • Power Source:Dual Redundant Power Supplies
  • Manufacturer Part Number:X-D2-AN-M

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Call or Email for D.O'B. Sound Pro - LOWER PRICE

Add Flexible I/O to Your DiGiCo Console

The DiGiCo D2-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D2-Rack onstage, then run a single CAT5e cable to your console — that's it! Beyond that, you can share the D2-Rack's I/O between two consoles via the stagebox's dual MADI ports. The D2-Rack supplies you with 48 Analog inputs, and 16 analog outputs. You also get two expansion slots that give you an additional 16 analog, AES, or Aviom outputs, for a total of 32. The D2-MADI Rack is a great way to add flexible I/O to your DiGiCo digital console.

Flexible expandable I/O

The D2-Rack is loaded with flexible I/O. It all starts with 48 mic inputs and 16 analog outputs. Beyond that, two option card slots supply you with an additional 16 outputs — either analog, AES, or Aviom — for a total of 32 outputs.

Two MADI ports allow for shared I/O

Thanks to its two MADI ports, the D2-rack can share I/O between two S- or SD-Series consoles at 48kHz. You can also combine the two ports to create a single 96kHz MADI connection with no reduction in I/O.

DiGiCo D2-Rack Features:

  • Digital stagebox for DiGiCo S- and SD-Series consoles
  • 48 mic inputs, and 16 analog outputs
  • 2 expansion slots provide an additional 16 analog, AES, or Aviom outputs (modules sold separately)
  • Run digital audio to and from the stage with a single cat5e cable
  • Up to 24-bit/96kHz digital audio for world-class sound
  • Dual MADI ports allow sharing of I/O between two consoles at 48kHz
  • Dual redundant power supplies provide peace of mind

Tech Specs

  • Type:Rack Stage Box
  • Compatibility:DigiCo S-series/SD-series Digital Consoles
  • Channels:48
  • Inputs - Mic Preamps: 48 x XLR (mic),
  • Outputs - Main:16 x XLR (line out)
  • Inputs - Digital:1 x cat5e (MADI main), cat5e (MADI aux)
  • Outputs - Digital:1 x cat5e (MADI main), 1 x cat5e (MADI aux)
  • USB:1 x Type B
  • I/O Expansion Slots:2 x 8-channel Slots Available
  • Rackmountable:Yes. 9U
  • Power Source:Dual Redundant Power Supplies
  • Manufacturer Part Number:X-D2-AN-C

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Expand Your D-Rack

One of the best features of DiGiCo's D-Rack is its flexible expandable I/O. In addition to its already ample connectivity, it includes an option card slot that supplies up to 8 additional outputs, bringing the D2-Rack's total up to 16. The D-RACK-DAC is an 8-channel analog output card. 

D-Rack adds flexible I/O to your DiGiCo console

The DiGiCo D-Rack is the easiest way to get audio to and from your S- or SD-Series console. Place the D-Rack onstage, then run a single Cat 5e cable to your console — that's it! Not only is this a breeze to set up, it also eliminates the problematic hum and noise that can plague analog systems. This stagebox supplies you with 32 microphone inputs and eight analog outputs. You also get an expansion slot that gives you an additional eight analog or AES outputs, for a total of 16. The D-Rack is a great way to add flexible I/O to your DiGiCo digital console.

DiGiCo D-RACK-DAC Features:

  • 8-channel analog output card for DiGiCo's D-Rack
  • Gives you 8 additional analog outputs

Tech Specs

  • Compatibility:DigiCo D-Rack
  • Number of Channels:8
  • Outputs:8 x XLR
  • Manufacturer Part Number:D-RACK-DAC

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

Package includes: Orange Box w/ 1 x DMI MADI BNC,
& 1 x DMI Dante. 2 RU Dual PSU


* Special Package Pricing (Cards cannot be swapped out)

Orange Box : Overview

Orange Box With DiGiCo's compact 2U Orange Box, you can use DMI (DiGiCo Multichannel Interface) cards to create audio paths over whatever interface you desire. The Orange Box has 2 PSUs for redundancy, and 2 slots to accommodate any of our [ten*] different interfaces that allow you to convert pretty much any format to another.

How? We have Slot A and Slot B, let's say you have MADI on your product, but you want to go to Dante. No problem, just buy a DMI with MADI, and a DMI with Dante, connect them up via the two slots, and away you go.

It's the same with Hydra 2, Optocore, Aviom, AES, Analogue, and so on. This cool little ‘anything in, anything out' box essentially gives you a choice of Multichannel user interfaces that enable you to send audio wherever you want, in whatever format you choose.

*Watch this space for more interfaces...!

 The following modules are available. Click on a module name for a large photo.

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

S-Series consoles rewrite the book on digital mixers

When they designed their S-Series consoles, DiGiCo pulled out all the stops. A robust ARM quad-core RISC processor puts an abundance of power under the hood. Touchscreens supply intuitive tactile control and instant visual feedback. 24 mic/line inputs and 12 analog outputs give you enough I/O to get started, while dual DMI option card slots provide room for expansion. These consoles deliver 24-bit/96kHz digital audio for world-class sound and come with an arsenal of digital effects. A built-in 48-channel USB interface makes capturing any performance easy. S-Series consoles are built for the road, with aerospace-graded aluminum extrusions and rugged polycarbonate overlays.

Loads of expandable I/O

DiGiCo S-Series digital consoles are loaded with I/O. It all starts with 24 mic/line inputs and 12 analog outputs. You also get two channels of AES I/O, word clock I/O, one GPI/GPO, a DVI output, and two Ethernet ports for networking. Beyond that, dual DMI (DiGiCo Multichannel Interface) option card slots supply you with plenty of room for expansion (modules sold separately).  These consoles can accommodate just about everything — analog, MADI, Dante, Waves SoundGrid, Calrec Hydra2, and more — all your bases are covered.

DMI-AVIOM
This card provides 16 output channels 􀀡 48kHz (with SRC) and Supports
Aviom's proprietry A-Net Pro16 protocol. It has 1 CAT5e connection and
faceplate DIP switched for Stereo output selection.

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

S-Series consoles rewrite the book on digital mixers

When they designed their S-Series consoles, DiGiCo pulled out all the stops. A robust ARM quad-core RISC processor puts an abundance of power under the hood. Touchscreens supply intuitive tactile control and instant visual feedback. 24 mic/line inputs and 12 analog outputs give you enough I/O to get started, while dual DMI option card slots provide room for expansion. These consoles deliver 24-bit/96kHz digital audio for world-class sound and come with an arsenal of digital effects. A built-in 48-channel USB interface makes capturing any performance easy. S-Series consoles are built for the road, with aerospace-graded aluminum extrusions and rugged polycarbonate overlays.

Loads of expandable I/O

DiGiCo S-Series digital consoles are loaded with I/O. It all starts with 24 mic/line inputs and 12 analog outputs. You also get two channels of AES I/O, word clock I/O, one GPI/GPO, a DVI output, and two Ethernet ports for networking. Beyond that, dual DMI (DiGiCo Multichannel Interface) option card slots supply you with plenty of room for expansion (modules sold separately).  These consoles can accommodate just about everything — analog, MADI, Dante, Waves SoundGrid, Calrec Hydra2, and more — all your bases are covered.

DMI-AES
This card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way
“D” connectors. All AES inputs are provided with sample rate conversion (SRC)
by default. All AES outputs are synchronised to the mixer system clock.

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

S-Series consoles rewrite the book on digital mixers

When they designed their S-Series consoles, DiGiCo pulled out all the stops. A robust ARM quad-core RISC processor puts an abundance of power under the hood. Touchscreens supply intuitive tactile control and instant visual feedback. 24 mic/line inputs and 12 analog outputs give you enough I/O to get started, while dual DMI option card slots provide room for expansion. These consoles deliver 24-bit/96kHz digital audio for world-class sound and come with an arsenal of digital effects. A built-in 48-channel USB interface makes capturing any performance easy. S-Series consoles are built for the road, with aerospace-graded aluminum extrusions and rugged polycarbonate overlays.

Loads of expandable I/O

DiGiCo S-Series digital consoles are loaded with I/O. It all starts with 24 mic/line inputs and 12 analog outputs. You also get two channels of AES I/O, word clock I/O, one GPI/GPO, a DVI output, and two Ethernet ports for networking. Beyond that, dual DMI (DiGiCo Multichannel Interface) option card slots supply you with plenty of room for expansion (modules sold separately).  These consoles can accommodate just about everything — analog, MADI, Dante, Waves SoundGrid, Calrec Hydra2, and more — all your bases are covered.

DMI-ADC
This card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC
card is a line card only. There is no mic amp or phantom power available.
 digital trim. Maximum input level +22dBu

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

S-Series consoles rewrite the book on digital mixers 

When they designed their S-Series consoles, DiGiCo pulled out all the stops. A robust ARM quad-core RISC processor puts an abundance of power under the hood. Touchscreens supply intuitive tactile control and instant visual feedback. 24 mic/line inputs and 12 analog outputs give you enough I/O to get started, while dual DMI option card slots provide room for expansion. These consoles deliver 24-bit/96kHz digital audio for world-class sound and come with an arsenal of digital effects. A built-in 48-channel USB interface makes capturing any performance easy. S-Series consoles are built for the road, with aerospace-graded aluminum extrusions and rugged polycarbonate overlays.

Loads of expandable I/O

DiGiCo S-Series digital consoles are loaded with I/O. It all starts with 24 mic/line inputs and 12 analog outputs. You also get two channels of AES I/O, word clock I/O, one GPI/GPO, a DVI output, and two Ethernet ports for networking. Beyond that, dual DMI (DiGiCo Multichannel Interface) option card slots supply you with plenty of room for expansion (modules sold separately).  These consoles can accommodate just about everything — analog, MADI, Dante, Waves SoundGrid, Calrec Hydra2, and more — all your bases are covered.

DMI-ADC
This card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC
card is a line card only. There is no mic amp or phantom power available.
digital trim. Maximum input level +22dBu

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available

The S-Series saw an increase from 40 to 48 flexi channels in a recent update, with the new DMI-MIC Pre-Amp Card now bringing an extra eight mic inputs, connected via a 25-way D-sub, using the same pre-amps already found in the console. This supports up to 40 mic inputs directly on the console surface.

With DiGiCo consoles used on many of the largest live sound tours and events around the world, the launch of the compact S-Series extended this pedigree of audio performance to every part of the industry. The S-Series brought multi-touchscreens to smaller-format consoles, along with up to 31 faders, 96kHz processing, internal FX and bundles of I/O. With plug-in DMI cards, the S-Series can operate in a wide variety of environments by adding extra I/O or connectivity options, including Madi, Dante or Waves SoundGrid.

Shipping

  • Ground shipping is free (orders over $40)
  • Free shipping only to the lower 48 states
  • Store Pick Up In Santa Fe Springs, Ca also available